“缺席”与“召唤”——倪瓒“亭下无人”的美学诠释

“Absence”and “Summon”——Aesthetic Interpretation of Ni Zan's“No One under the Pavilion”

人物作为中国山水画的构成元素之一,对画面情节的补充和画家思想的揭示有着重要功能。而倪瓒在其画作里,有意将人的存在取消,从而使"空亭"这一意象符号成为一种哲学标志。"亭下无人"既是"在"的缺席,也是一种有所向往的"召唤",其蕴含的美学意义和人文情怀有助于对倪瓒这位画家以及中国山水画所潜藏的思想性有更加深刻的探讨与分析。

As one of elements of Chinese landscape painting,characters have an important function for replenishing the picture plot and revealing the painter's thought. But in Ni Zan's paintings,he deliberately cancels man's existence,in order to make the image of empty pavilion into a philosophy mark. 'No One under the Pavilion'is not only the 'absence'of 'existence',but also a yearning'summon',of which aesthetic significance and humanity are beneficial for the deeper discussion and analysis of Ni Zan and the ideological level of Chinese landscape paintings.