论二十世纪文学作品中“子报父仇”模式的“对话”与演变——以《铸剑》、《复仇》、《原野》、《伍子胥》、《鲜血梅花》为例

“Dialogue”and Evolution of “Sons Revenge for Fathers”Mode in 20th Century Literature Works

鲁迅《铸剑》、曹禺《原野》、冯至《伍子胥》、汪曾祺《复仇》以及余华《鲜血梅花》五篇作品通过对"子报父仇"的历史题材的新编形成了复杂的文本"对话"关系:五个文本在不同程度上对传统"子报父仇"模式进行解构和重构;并在深层内涵上赋予历史故事时代性意义,即《铸剑》中所表现的五四文学对"人"主体性的张扬、《原野》之于现代人生存困境的阐释、在西方生命哲学影响下的《复仇》和《伍子胥》对中国现代人存在与虚无的思考以及《鲜血梅花》独具先锋文学的人文关怀。

Luxun's'Sword Casting',Caoyu's'Wilderness',Fengzhi's'Wu Zixu',Wang Zengqi's'Vengeance'and Yu Hua's'Blooded Plum Flower',these five fictions form complex text'dialogue'relations by revising historical themes. These five fictions,in varying degrees,deconstruct and reconstruct the 'Sons Revenge for Fathers'mode and endow the historical stories with the significance of times. This is to say,'Sword Casting'shows the publicity of 'human'subject of May Fourth culture; 'Wilderness'shows the interpretation of the dilemma of the modern people; 'Vengeance'and'Wu Zixu'show the thinking about the existence and nothingness of the modern people; and 'Blooded Plum Flowers'shows the unique humanist concern of vanguard literature.