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抗战时期革命根据地的新歌剧与乡村社会——以关头村为例

New Opera in Revolutionary Base and Rural Society during Anti-Japanese War——Taking Village of Guantou as Example
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摘要 革命根据地关头村新歌剧的产生是对传统文化的改造,传统文化的变迁包括戏剧内容的创新、戏剧演员身份的演变、戏剧功能的转变。新文化的产生对当时的乡村社会产生了一定影响,在发挥政治教化功能、促进社会风气改变的同时,促进了当时减租减息运动、大生产运动的开展及军民关系的融洽。关头村新歌剧的产生与乡村社会的关系和当时整个山西革命根据地的戏剧运动与乡村社会的关系有着极为相似之处,从一个村庄即可透视整个山西的相关历史。 The new generation of opera in the Revolutionary Base of Guantou is the transformation of traditional culture. The changes of traditional culture include Innovative content of the drama,evolution comedian identity,and change of the drama function. Generating a new culture of rural society at that time had certain influence to the social life: playing a role in political education to promote social climate change; at the same time,promoting the movement of rent and interest reduction,Great Production Movement and integration of civil-military relations. Relations between the new opera and rural community in Guantou are the relations of the theater movement throughout the Shanxi revolutionary base and rural society; from the perspective of the village,we can see the relevant history in Shanxi.
作者 武宇红
机构地区 太原学院中文系
出处 《太原学院学报(社会科学版)》 2016年第5期6-9,共4页 Journal of Taiyuan University(Social Science Edition)
关键词 革命根据地 新歌剧 乡村社会 关头村 Revolutionary Base new opera rural society Guantou Village
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