论《浮世画家》中的空间类型

On Space Types in “Ukiyo Painter”

通过主人公小野的回忆性叙述,石黑一雄的第二部小说《浮世画家》展现了战后日本繁杂多变的社会图景。小说中小野父亲的客厅、从杉村明处购得的豪宅、逍遥地构成了小野生命中的"神圣空间",而战后没落陈旧的豪宅、逍遥地则展现了作者笔下"去神圣化"的空间形式。探讨《浮世画家》中的空间类型有助于揭示小说的深层意蕴。

Kazuo Ishiguro’s second novel 'Ukiyo Painter' shows the complex and changing social landscapes of Japan after the War by the reminiscent narrative of the protagonist Ono.In the novel,Ono’s father’s living room,and the luxury house bought from Sugimura Ming happily form the'sacred space'in Ono’s life.However,the declined and stale'luxury house'after the War freely shows the'desacred'space form in the author’s writing.Exploring the space types in'Ukiyo Painter'is helpful for the exploration of the deep connotation of the novel.