摘要
英国当代剧作家马丁·昆普在其代表作《安·非她命》中大量地运用拼贴、互文性及突出读者在戏剧创作中的主体性等后现代创作技巧,生动形象地构筑了一个中心模糊化、情节碎片化的"荒诞"世界,并通过其间所折射出的人际淡漠、暴力伤害、大屠杀、种族歧视和女性身份建构危机等尖锐的现实问题,引导读者对当前社会弊端及个人生存困境有所反思与行动。
Based on three major postmodernist writing techniques:collage,intertextuality and text theory,British contemporary playwright Martin Crimp vividly constructs a vague and fragmented world of'absurdity'in his representative work Attempts on Her Life,through which Crimp discusses a series of sharp realistic problems such as interpersonal apathy,violence,massacre,racial discrimination and crisis of female identity construction,aiming to guide readers to ponder and act upon the current social malpractice and modern people’s living dilemma.
作者
吕曰文
LV Yue-wen(Foreign Languages College,Zhongnan University of Economics and Law,Wuhan 430073,China)
出处
《太原学院学报(社会科学版)》
2019年第2期64-69,共6页
Journal of Taiyuan University(Social Science Edition)
关键词
马丁·昆普
《安·非她命》
拼贴
互文性
“作者之死”
Martin Crimp
Attempts on Her Life
collage
intertextuality
'the death of the author'