摘要
以青春偶像著称的台湾体育电影,在着力于展示偶像明星的身体影像,达成对受众视觉消费的迎合的同时,也力求表现外部权力对主人公身体欲望的规训。然而这一外部权力形式并非清晰的国族意识形态,台湾体育电影倾向于以"个人成长"主题置换"国族认同"的惯常叙事模式,进而呈现出一种无关乎国族的叙事姿态。影片中充斥的有关在地文化空间的影像书写,在彰显其"本土化"文化价值取向的同时,更在潜隐层暗含着一种意识形态询唤,一种以空间书写生活方式,以叙事渗透文化蕴藉的"台湾主体意识"。
Holding the young idol drama methods,Taiwan sports films show focused on body image display,so as to meet the audience need on the visual consumption,meantime sought to show the external power disciplinary on hero lust body.However,this external power is not the nationalist ideology,Taiwan sports films tend to take 'personal growth' theme as the replacement of ' national identity' theme,which is the usual narrative mode,and then presents a narrative mode that is not about nationalist.The images of local culture space filled in the movie,highlighting its 'localization' of the Cultural Value,implies an ideological interpellation in Latent layer simultaneously.The interpellation is a kind of lifestyle on space writing,a kind of narrative with the penetration of culture refined as ' Taiwan consciousness.'
出处
《体育与科学》
CSSCI
北大核心
2015年第6期63-67,共5页
Sports & Science
关键词
台湾体育电影
身体展示
身体规训
国族认同
在地文化空间
Taiwan sports films
body image display
body discipline
national identity
local cultural space