摘要
池莉近作《看麦娘》、《有了快感你就喊》对爱情婚姻有了全新的诠释。这两个文本已从池莉以往作品中推崇的两性和谐转化为两性对立,文本中的人物对爱情婚姻彻底失望,试图以逃离的形式重构精神伊甸园,这一诠释触及到现代中国特有的社会背景下渺渺众生的精神归宿问题。
The present paper analyses two recent works by CHI Liwho gives us a totally different explanation of love and mariage.The theme in these two texts is the opposition rather than reconcillication between sexes in her previous works.In other words,characters in the two texts are utterly disappointed at love and mariage and attemft to reeonstruct the spiritual.Garden of Eden through evasion.This explanation touches upon the issue of ordenary people's spiritual home in modern China.
出处
《常熟高专学报》
2003年第5期49-52,共4页
Journal of Changshu College