摘要
长期以来 ,在中国古典诗歌的研究中 ,意境都是作为评价诗歌艺术水准的重要标准 ,有时甚至是惟一标准。这种评价标准直接限制了评价者的视线 ,也不符合诗歌创作的实际。本文就此进行了辨析 ,并明确指出 :意境本身只是一个诗歌评价的艺术概念 ,在不同的环境条件下 ,意境本身也是有高低之分的。
The mood of poetry is long an important critermin in evaluating a classical Chinese poem. Sometime it is regarded even as a unique criteria. This restraints the insights of evaluators and disagrees with the true creation of poetry. This paper analyzes the phenomenon and points out that the mood of poetry is itself an evaluating notion and it is different in a different situation.
出处
《武警学院学报》
2003年第5期82-83,共2页
Journal of the Armed Police Academy