摘要
洛阳出土的西汉卜千秋等墓室壁画遵循了以圆为尚的审美理想,将圆的意念和形象附着、表现于画面上,代表了其时代绘画艺术主要倾向。
BU Qian-qiu' s tomb mural in the Western HAN Dynasty discovered in Luoyang follows the aesthetic sense of circle and emerges each aspect s skill of painting circle. It reflects main trend of painting art at that time.
出处
《洛阳大学学报》
2003年第3期25-27,共3页
Journal of Luoyang University