从《无声戏》看李渔悖谬性的叙事策略及其效果

On LiYu's Unreasoning Narrative Tactics and Its Narrative Effect in The Unvoiced Drama

李渔在《无声戏》中采取了悖谬性的叙事策略 ,使《无声戏》产生了“新”、“奇”的叙事效果 ,达到了新人耳目的叙事目的。其主要原因是李渔通过观念理性化、感情道德化、训谕明示化、叙事娱乐化和情节悖谬化的巧妙融合 ,显著地增强了人们对故事的信任感 ;同时 ,悖谬性叙事策略也有力地降低了故事的可理解性 ;其它叙事因素也发挥了积极的作用。李渔在《无声戏》中采取的悖谬性叙事策略是他文学创新思想的一次有益的实践。

LiYu adopted absurd narrative tactics in The Unvoiced Drama, had The Unvoiced Drama produce the narrative effect of “new”、“strange” and reached the aim of making people feel “new” and “strange”,the main reason of which was that LiYu remarkably strengthened people's trust in these stories by the clever blending of the rationalized notion,the moralized feelings, the open teaching, the amusing narration and absurd plots;at the same time,the absurd narrative tactics powerfully reduced the understandability about these stories;the others exerting their functions,too.That LiYu adopted absurd narrative tactics in The Unvoiced Drama was a useful practice of the theory that the literature must create something new.