摘要
本文以李渔"一人一事"的"立主脑"理论为尺度,阐释戏剧《琵琶记》如何在将主人公蔡伯喈置于"逼试"与"从试"、"逼婚"与"重婚"的双重二元对立的叙事结构之中确立"重婚"为该剧之"主脑"的剧情实际,以此来论证李渔"立主脑"的戏剧叙事结构理论是符合戏剧艺术规律的真知灼见。
Based on the theory of 'one focused center' with 'one person and one incident' proposed by Li Yu, this paper expounds how the hero Cai bojie is put in the dual and binary narrative structure which is reflected by 'compelled test' and 'examination', and 'compelled marriage' and 'bigamy', and how bigamy becomes 'the focused center'. Armed with this idea, this paper demonstrates the penetrating judgment that Li Yu′s drama narrative structure of 'one focused center' accords with the rules of drama arts.
出处
《湖北师范学院学报（哲学社会科学版）》
2003年第4期86-89,共4页
Journal of Hubei Normal University（Philosophy and Social Science）
关键词
“一人一事”
“立主脑”
“重婚牛府”
叙事结构
one person and one incident'
'one focused cener'
bigamy in Niu Family
narrative structure
