渗沥在动画之“动”中的艺术精神

The Aesthetic Implication of "Anima" of Animation

动画之"动",首先在于画面连动,但这与影视画面的运动性本质不同,根源在于动画画面的反摄影性。基于此,中西动画虽皆通过动作主诉来进行叙事甚至结构,但是由于哲学基础和审美思维的不同,二者最终企及的生命之"动"也各有千秋。本文着力廓清此三层境界上"动"之美学蕴涵,系对动画理论的开拓性灼见。

The'anima'of animation-art,firstly is embodied as comtinuity of drawings,but it is thoroughly different from the image-motility of movie and TV,which roots in the anti-photography from the drawings of animation-art. Based on it, although both of Chinese and western animation-art narrative even construct depending on subjectivity of action, their ultimate 'anima' of life have dissimilarities, just because their different philosophical origin and aesthetic thought. This paper aims at to distinct the aesthetic implication of 'anima' in the three ambits, which are some originated penetrating views to animation theories.