摘要
以比较文学研究中的平行研究方法,以及美国心理学家埃里克森的认同性危机的理论,对中国作家王蒙(1934—)和捷克作家米兰·昆德拉(1929—)进行比较研究可以发现,两位作家都是在50年代初期,以独立思考的姿态,直面现实,叩问青春,写出风格独特的作品。其后,在青春困惑和认同性危机的缠绕下,两位作家分别对青春—革命—抒情诗—爱情等相互关联的一组人生重要命题加以大规模的书写和质询,却引出了各自不同的结论。在艺术风格上,王蒙的诗情近似于"主观诗人",自我色彩较浓,昆德拉的诗情则是那种"客观诗人"式的,隐藏更深,底蕴也更深。
We provide a comparative study between Chinese writer Wang Meng (1934-)and Czechoslovakia writer Milan Kundera (1929-)with the paralleling studying method of comparative literature study and American psychologist Erikson's theory of identity crisis,hope to get a constructive result.Both of the two writers produced unique style works with the attitude of independent thinking,facing the reality,inquire the youth age,in the beginning of 1950s.Afterwards,with the perplexing of youth confusion and identity crisis,two writers worked on and inquired some important topics like youth,revolution,lyrics and love but produced different results.As to the artistic mode,Wang Meng's rhyme is more similar to'subjective poet'and Kundera,'objective poet'which is deeper both in details and concealing himself.
出处
《文史哲》
CSSCI
北大核心
2003年第6期45-51,共7页
Literature,History,and Philosophy
