摘要
《古诗十九首》这组东汉文人五言抒情短诗之所以具有长久不衰的艺术生命力,千百年来在诗坛上放射着耀眼的光芒,不仅在于它特殊的美感风韵和卓尔不凡的艺术表现手法,还在于它所积淀和包含的丰厚的儒家文化底蕴给人们提供了有益的精神文化养料,从而引起了历代读者的强烈共鸣和喜爱。结合当时的历史背景和作者的实际地位,其自伤自怜和游子思妇的两大主题取向表现了《古诗十九首》的儒家文化底蕴及其在特定时代的内涵。
The 19 Ancient Poems' written by scholars of the East Han Dynasty has permanent aesthetic vitality and has been loved by readers of different dynasties not only because of the distinctive beauty of the poems and outstanding aesthetic expression techniques of the poems but also the beneficial spiritual nourishment people get from the rich Confucian culture in these poems. This paper makes an analysis of the Confucian culture and the techniques of expession in these poems in the particular times by using for reference the historical background of these poems and the poets' social positions.
出处
《唐都学刊》
2003年第4期11-14,共4页
Tangdu Journal
基金
陕西教育学院科研基金资助项目(01KJ002).
关键词
《古诗十九首》
儒家文化
主题取向
自伤自怜
游子思妇
The 19 Ancient Poems'
choice of subject
feel sorrow for oneself
miss one's wife
the Confucian culture
