重评周谷城艺术创作理论

Reassessment on the Theory of Artistic Creation of ZHOU Gu－cheng

周谷城的艺术创作理论在20世纪60年代被朱光潜等学者认为是克罗齐表现主义艺术理论乃至佛洛伊德无意识理论的中国翻版。文章通过分析不同意这种论断，认为周谷城的艺术创作理论是他在吸取中国传统艺术理论合理内核的基础上形成的一种独具特色的表现论艺术创作理论，他试图运用马克思主义反映论的原理对中国传统艺术理论进行改造的尝试，在新的历史条件下仍不乏借鉴意义。

 The theory of artistic creation of ZHOU Gu－cheng was regarded by scholars like ZHU Guang－qian in 1960s as Carori’s expressionism artistic theory or even as Chinese’ reproduction of Fraud’s unconciousness． But this paper has quite different point of view that the theory of artistic creation is a peculiar one based on the rational crux of the Chinese traditional artistic theoryand he gave it a new try which is even now appreciable through using Maxist theory of Reflection．