摘要
中国绘画和戏曲,虽属不同门类的艺术,但所体现的“观物取象”的审美观照,“写意”“摹情”的艺术观,“传神”的审美追求,“意象”的形象思维,“虚实相生”的手法等民族美学思想是一致的。
Although they belong to different kinds of art, Chinese painting and drama reflect the unanimous aesthetic standards, artistic viewpoint, aesthetic chase, thinking in terms of images, and natural aesthetics thoughts. Such as observing things and expressing the feeling in artistic forms, freehand sketch and imitation, lifelike, images, void be opposite reality.
