摘要
清代诗坛,格调、神韵、性灵三大诗派各立门户,以诗论互相攻讦。三派的诗歌理论分别从表现形式、诗歌境界、抒情主体的不同角度探讨诗歌创作规律,主张各有偏颇。乾嘉诗人黄培芳则调和神韵、格调两派,同时吸纳性灵派主真情的观点,在儒家传统诗教的基础上,创立了自己的诗歌理论,这集中体现在《香石诗话》一书中。
In the middle of Qing Dynasty, the three schools of poetry: style, romantic charm and temperament, attacked one another.In fact, they discussed regularities of poem writing from three different angles: form ,poetic imagery and lyric subject. They enriched theories of ancient poetry. Huang Peifang, the poet ,recognized advantages and disadvantages of the three schools. He established his own theory of poetry ,which was based on Confucian traditional preaches. The theory reconciled the two schools of style and romantic charm, and simaltaneously absorbed the view of true feeling of temperament school. These features are concentratively expressed in the book Xiang Shi Shi Hua .
出处
《湖南第一师范学报》
2001年第1期25-26,35,共3页
Journal of First Teachers College of Hunan
关键词
《香石诗话》
清朝
诗歌
儒家
confucian traditional preaches
style
romantic charm
temperament