摘要
“哲学的美学比经验的美学在格调上或许要高些”,但人类认识世界的终极目的是改造世界。美学需要回到具体的、个别的经验中来,用于指导生命的个体的审美活动,指导艺术创造,本文试图从美学的一个范畴——悲剧,来作这种尝试。旨在阐明在诸艺术形式中悲剧美的表现是有共同规律可循的,那就是对比的方法。全文也分析了悲剧美表现中的各种具体形式。
Philosophic aesthetics is superior in style to that of experience.' However, the utmost goal for human beings is to reform the world. When aesthetics turns back to concrete and individual experience, it can guide individual's aesthetic activities and creation. From an aesthetic category--tragedy, this paper attempts to elaborate that contrast isthe regular pattem to present aesthetics in tragedy, and it also analyzes various concrete examples.
出处
《湖北广播电视大学学报》
2001年第4期82-85,共4页
Journal of Hubei Radio & Television University
