摘要
《杜鹃山》是现代京剧当中人物音乐主题用得比较成熟的代表剧目。文章以该剧中心人物柯湘的音乐主题作为研究对象,从音乐主题的创造发展及其在过门、人物唱腔、专门的器乐曲中的运用等方面进行了较为深入的分析。
The Mountain of Cuckoo was a typical work in modern Beijing Opera with the figural music theme used skillful. The article took music theme of Ke Xiang, the whole show of the work as an object of research , analyzed the work on the aspects of music theme development, and its usage in guomen, figural chan-gqiang, as well as the instrumental music itself.
出处
《黄钟（武汉音乐学院学报）》
北大核心
2003年第4期33-41,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
京剧
杜鹃山
柯湘
音乐主题
唱腔
过门
器乐曲
Beijing opera, Mountain of Cuckoo (a title of Beijing opera work), Ke Xiang (heroine name in Mountain of Cuckoo) , music theme, changqiang (melodies for the singing part in a Chinese opera) ,guomen ( short interlude between verses) , instrument
