摘要
文章选择了两部歌剧中两个萝西娜最具有代表性的唱段:《塞维里亚的理发师》中“我听到美妙的歌声”和《费加罗的婚礼》中萝西娜在第三幕中的咏叹调“何处寻觅”作为对两个萝西娜进行角色类型比较的切入点,分析奥地利作曲家莫扎特创作的《费加罗的婚礼》和意大利作曲家罗西尼创作的《塞维里亚的理发师》中两个萝西娜的联系和区别。
The article took the two Rosina' s representative airs from both of the operas, which were U na' voce poco fa from Rossini' s The Barber of Seville, and Dove sono I be from the 3rd act of Mozart' s opera Marriage of Figaro, to compare with two kinds of Rosinas. The writer try to show the relation and differentiate of the two characters in different operas.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2003年第4期102-107,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
莫扎特
《费加罗的婚礼》
罗西尼
《塞维里亚的理发师》
萝西娜
联系
区别
Wolfgang Amadeus Mozart (1756 - 1791) , Marriage of Figaro, Gioachino Antonio Rossini (1792 -1868) , The Barber of Seville, Rosina, relation, differentiate