论扬琴演奏与内心听觉

On Dulcimer Performance and the Inner Auditory Sensation

对于学习扬琴演奏艺术来说,系统掌握演奏技巧、正确运用其技术与方法非常重要,但完美高超的技术仅仅具备了艺术表现的基本手段。如何更深层地揭示音乐的深刻内涵,使内心情感与音乐形象得到完美的结合,达到高度的统一,笔者认为:在扬琴教学中应重视培养和发展演奏者的内心听觉能力,正确理解技术与音乐的辩证关系是提高演奏艺术的关键。为此,文章对内心听觉的培养与训练及如何进行内心情感与音乐听觉形象的建立作出了论述。

For learning yangqin playing, it is very important to master technique systematically, use the skill and method perfectly. However, the perfect technique is just the basic way for expression. How to explore the deep implied meaning of the music, and obtain the ideal combination of sensibility with music figures , the writer held that it should be pay more attention to cultivate and developing the player' s ability of inner auditory sensation. The article proposed some ideas about how to training and deal with the sensibility and building up the figure of auditory sensation.