摘要
中国戏曲的存在或发展,都必然经历“传承”这样一个过程。本文是在著名学者潘光旦教授《中国伶人血缘之研究》的启发下,就“伶人”也是“人才”的认同、戏曲传承中的内群婚配现象、戏曲传承中的师徒关系、戏曲传承中师徒间的经济环链等问题,对中国戏曲的传承及其传统的艺术思维做一定的观察和思考,来窥察中国戏曲传承的奥秘。
All of the exist or development of the Chinese traditional operas had the process of impart and inherit. The writer drew her inspiration from professor Pan Guangdan' s work Research On the Consanguinity of the Chinese Actors and Actress, observed and ponder over the impart and inherit of Chinese traditional opera as well as its traditional artistic idea. The article was related on the phenomena of marriage in the performance group in the impart and inherit of Chinese traditional opera, the relationship between master and apprentice , the economic link among the master and apprentice, try to explore the secret of the impart and inherit of Chinese traditional opera.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2003年第4期29-32,共4页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
中国戏曲
传承
伶人
师徒关系
内群婚配
Chinese traditional opera, impart and inherit, lingren ( actor or actress) , relationship be-tween master and apprentice, nei qun him pei ( marriage in the performance group)