摘要
大江文学的晦涩难懂在很大程度上是由他的文体造成的。然而 ,许多研究者对大江的文体缺乏全方位的把握 ,从而导致了对大江文学的文体策略缺乏足够的认识。对大江来说 ,新的文学的产生就意味着新的文体的创造。大江探索新的表现形式的背后 ,是其强烈的语言意识 。
To a great extent,the intricacy and obscurity of ?e 's works lie in his writing style. Many researchers fail to understand ?e's sty le and stylistic skills comprehensively.To ?e Kenzaburō,new works mean new sty le. His strong language awareness,that is his unremitting pursuit of poetic lang uage,lies in his seeking after the new style.
出处
《天津外国语学院学报》
2003年第6期62-65,共4页
Journal Of Tianjin Foreign Studies University
关键词
文体策略
文体观
语言意识
诗语
stylistic skills
outlook on style
language awareness
poetic language