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良渚文化“神人兽面”的兼体造型和意蕴 被引量:6

The Concurrent Modeling and Its lmplication of `Animal Face of Spiritual Being'in Liangzhu Culture
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摘要 The `animal face of spiritual being’in Liangzhu Cultur is a `concurrent modeling’ Illustrious mammae of large goddess are regarded as the two eyes of spiritual animals,prototype of wild boar,and its opening mouth is just like the `vaginal orifice of goddess with teeth’ This must have a function of sex warning,sex enlightenment and sex deterrent,and exorcizing and promoting the fertility in the prehistoric society The `concurrent modeling’ is common in the pan-pacific culture,especially in the prairie Shamanism’s works of art like Indian Shamanism etc ,and also some vestiges on the Shang and Zhou’s objects can be The `animal face of spiritual being'in Liangzhu Cultur is a `concurrent modeling' Illustrious mammae of large goddess are regarded as the two eyes of spiritual animals,prototype of wild boar,and its opening mouth is just like the `vaginal orifice of goddess with teeth' This must have a function of sex warning,sex enlightenment and sex deterrent,and exorcizing and promoting the fertility in the prehistoric society The `concurrent modeling' is common in the pan-pacific culture,especially in the prairie Shamanism's works of art like Indian Shamanism etc ,and also some vestiges on the Shang and Zhou's objects can be seen
作者 萧兵
出处 《考古与文物》 CSSCI 北大核心 2003年第6期44-49,60,共7页 Archaeology and Cultural Relics
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