摘要
巴金的小说理论最具实践性,是他大量小说创作经验的总结和升华。他视创作为表达自己内心情感的需要,是自己生活的一部分;主张创作面向读者,"把心交给读者",和读者进行诚挚的情感交流;同时认为"艺术的最高境界是无技巧",肯定情感是创作的主要内容,形式和技巧只是它的附庸。小说应当有其教化的功能和审美的功能。巴金的小说理论和批评总是围绕着表现情感这条主线,它是朴实无华、独树一帜的。
Ba Jin's fiction theories are based on his own literary creation experiences. He saw creation as one part of his life and a way to express his emotions. He advocates that writers should be reader-oriented and communicate with them. He also holds that emotions are the key point in creation while forms and techniques are not so important. And fictions should have the educational and aesthetic functions. Thus emotions play a very important role in his fiction theory and art criticism.
出处
《安徽师范大学学报(社会科学版)》
2003年第5期576-582,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
情感
创作如同生活
把心交给读者
无技巧
emotions
literary creating as living
reader-oriented creation
no technique