摘要
荒诞和死亡是中国先锋文学对人的生存和存在进行思考的两个重要表现领域。在人类意识层面,荒诞是生存状态下精神死亡的表象,而死亡则成为对于存在的荒诞境况的解脱。它们所体现出的感性学意义在于对信仰丧失之后的虚无状态的揭示。
Absurdity and death are the two main aspects of Chinese avant-garde literature on human existence and being.The absurdity is the phenomenon of the death of spirits under the existence,and the death has become a kind of extrication about the absurdity of being.The meanings of aesthetics are to uncover the non-rooted condition after losing beliefs.
出处
《郑州轻工业学院学报(社会科学版)》
2003年第4期20-25,共6页
Journal of Zhengzhou University of Light Industry:Social Science Edition
关键词
先锋文学
荒诞
死亡
存在
avant-garde literature
absurdity
death
being