摘要
"以乐景写哀"是自《诗经》以来一直被运用的一种文学表现手法,它可以收到"倍增其哀"的效果,它是乐少苦多这一严酷的人生境况和中国文人浓重的悲剧心理的反映,与中国文人"由乐转悲"、"由盛观衰"、"乐极悲来"这一惯常思维习惯有密切的关系。其哲学依据是《老子》、《周易》所强调的相反相成。
Expressing plaintive scene with pleasure scene is an important skills of litereature since The Book of Songs,because it can amplify to be doubly grief.reflecting plaintive human existence and life and the tragedy psychology of Chinese man of letters,and it close to habitly thinkings of Chinese man of letters such as from pleasure to sorrow,from flourishing to declining, and sorrow follows upon exstreme pleasure, which is based on the ideas of opposites and supplementaries to each other of zhou yi and lao zi.
出处
《兰州铁道学院学报》
2003年第5期14-17,共4页
Journal of Lanzhou Railway University
关键词
“以乐景写哀”
中国
悲剧心理
相反相成
文学表现
诗歌
expression of plaintive scene with pleasure
to be doubly grieved
be oppsite and supplementary to each other