初、盛唐儒家美学范畴之检省

A preliminary analysis of the Confucian aesthetics in the early and mid-Tang Dynasty

初、盛唐儒家美学范畴群落是初、盛唐儒家美学范畴总体中最为重要的支系。雅正是以拥护意识形态权威为原则的艺术创作之垂范风格 ,力图用华丽的文体来颂美开国气象 ,四杰恪守儒家传统诗教观念 ,继续以陈腐的话语方式诠释雅正的艺术乌托邦。风骨以风为内核 ,指称一种艺术品中特有的与审美主体互鉴的生命充盈感。陈子昂在复古的名义下 ,以兴寄为艺术创作主体在艺术品中表达浓郁而劲健刚直的生命意义之途径。盛唐诗坛标举“古风” ,融江左文风与汉魏风骨于一体 ,在时代精神、生活世界、艺术世界、真理世界中自由开张 ,乃整个盛唐时代中无数生命共同分享的韵律和节奏。

Such four Chinese words as ”Yazheng” (standardization), ”Fenggu” (vigor of style), ”Xinji” and ”Gufeng” (ancientry) fall into the category of aesthetics, and they reflect the Confucian aesthetics in the early and mid-Tang Dynasty. As a traditional aesthetic style, ”Yazheng” emphasizes the authority in art creation. ”Fenggu” is a vigor of style in art, and ”Xinji” means the value of life in art. ”Gufeng” refers to the meter or rhythm shared by all the living things.