摘要
舟山渔民画在20世纪80年代曾有过辉煌,而在90年代发展是滞后的。在现代意识支配下,渔民画应该融合千百年来积淀着东西方人的审美观念来领悟和感受现代民间艺术的真谛,加深对形的张力的理解、变形的旨趣和色彩的强度。同时,艺术的创新要迎合现代市场运作规律,整合优势,从而使渔民画呈良性发展。
The fisherman paintings in Zhoushan were once prosperous in the 1980s, but its development in the 1990s was backward. Dominated by modem consciousness, the fisherman painting should mingle both easterners and westerners' aesthetic conceptions formed in the course of hundreds of years to understand and appreciate the true meaning of the modem folk art, in order to further comprehend the tension of shape, the purport of transform and the intensity of colour. Besides, the initiative of art must cater for the operation law of modern market. All the advantages should be amassed to develop the fishmen painting in a proper way.
出处
《浙江海洋学院学报（人文科学版）》
2003年第3期48-51,61,共5页
Journal of Zhejiang Ocean University(Humane Science)
关键词
舟山群岛
渔民画
现状
对策
Zhousnan Archipelago
fishennan painting
stutus quo
countermeasures
