摘要
本文以新诗史上的一桩悬案———胡怀琛为胡适"改诗"事件———为讨论对象,在历史还原的基础上,首先检讨了在新、旧诗坛之间,胡怀琛特殊的身份及发言姿态,由此透视出新诗发生期复杂纠葛的诗坛格局;既而又从具体的诗学角度展开分析,探讨了胡怀琛对《尝试集》的批评中所暴露的新诗发生期的基本困境,即围绕新诗"音节"问题展开的争议,并剖析了"争议"背后的接受原因,以及新诗史上"声音"与"意义"间的内在张力。
In the New Poetry History, Hu Huaichen's rewriting of Hu Shi's poems has not been explored yet. Starting from this point, the thesis attempts to discuss this case thoroughly. First, Hu Huaichen's special statue between new&former poetry circle which determined his attitude of speech is described in a history context, in order to disclose the complex situation of the early new poetry history. Second, the basic troublethe dispute of rhythm of the New Poetry—exposed in the Hu Huaichen's criticism of 'ChangShiJi' and its inner cause is studied, which results in a discovery of the tension between 'sound' and 'meaning' in the New Poetry History.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
2003年第6期130-136,共7页
Journal of Peking University(Philosophy and Social Sciences)