摘要
以往研究东晋南朝歌诗艺术的学者 ,更多地侧重于对歌诗文本的解读 ,对于歌诗创作、表演和消费的情况则明显重视不够。本文在把歌诗艺术作为一种精神消费产品的前提下 ,对东晋南朝时期 ,王室、贵族到文士们的歌舞声色消费活动及艺人们的歌舞表演活动 ,进行了深入的考察 ,认为正是这些精神消费需求 ,为当时民间的歌诗提供了广阔的市场 ,并促使文人和歌舞音乐艺人在充分吸收民间歌诗鲜活生命力的基础上 ,又有了全新的创造 ,从而极大地活跃了娱乐市场 ,使歌诗艺术的发展出现了空前繁荣的局面 。
Under the prerequisite of taking song poems art as a product for spiritual consumption, this paper makes an in depth investigation of consumption activities involving songs, dances and women of the royal family, nobles and men of letters as well as the singing and dancing performance of artists in the period of the Southern Dynasties of the East Jin. It is concluded that it was just that demand that opened markets for the folk song poems and thus led to the prosperity of song poem art, exerting great influence on the development of the song poems and poems after the Tang Dynasty.
出处
《东方论坛(青岛大学学报)》
2003年第4期1-9,共9页
Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基金
国家社科基金项目<从诗三百到元曲的歌诗艺术生产史研究>的一部分 项目编号为 :98BZW0 0 6
关键词
歌诗生产
歌诗消费
歌诗表演
歌舞娱乐
女伎
song poem production
song poem consumption
song poem performance
songs and dances as entertainment
female singer or dancer in ancient China