俄国人·日本筝和歌谣

Russian,Japanese Zither,and ballads

文章通过俄国青年作曲家弹奏日本筝并以日语演唱日本歌谣,折射出当今世界音乐教育的大趋势——批判“单一进化论”和“欧洲文化中心论”,从单一视角转向多层视角,各国音乐以平等的身份走向世界音乐的平台;音乐教育突破单一的“音乐工艺学习”模式而为多元化的“音乐文化学习”模式。中国音乐要跻身世界音乐平台并进行“对话”,则须加强“母语”音乐教育,充实“对话”的能量与功能。

Through the Japanese zither performance and the singing of Japanese ballads by a Russian young composer, this article projects a big trend of today's musical education in the world-criticizing 'unitary evolutionism' and 'European cultural centralism', and transfering from single viewing angle to multiplex viewing angles, all countries' music going towards the world platform with equality, and the musical education breaks through the single 'music craftsman study mode' into the multiplex 'music cultural study mode'. If Chinese music expected to mount onto the world platform of music and converse with the international music, it should strengthen the 'mothertongue' music education to conduct an energetic 'dialogue'.