德彪西《钢琴前奏曲》力度解析

Dynamics Analysis of 24 Piano Preludes of Debussy

法国伟大的作曲家德彪西创造性地运用了富于个性的音乐语言及各种独特的表现手法,开创出一个崭新的音响世界,同时也开创了二十世纪现代钢琴音乐的新起点。在他众多的创新理念及表现手法中,力度也呈现出独特新颖的重要特征。《24首钢琴前奏曲》是德彪西钢琴音乐创作的精华,是最能充分体现其创作手法特征的重要作品。因此,本文以此为视点,对其整体力度作了系统全面的解析,探究力度在德彪西钢琴音乐中呈现出的美学意义,揭示出力度构思四个方面的特征。本文系本人硕士学位论文中的一章。

Achilla - Claude Debussy (1862 -1918), the French great composer, creatively exploited characteristic musical language and a lot of different techniques of expression, thus founded a totally new sound world, as well as a new era of modern piano music. Among all his original music concepts and techniques of expression, the important characteristic of dynamic field, which can also be described as distinctive and original, is one of the most attractive. < 24 piano preludes> are the utmost essence of Debussy's piano music composition, by these works, his characteristics of composing style are fully demonstrated. Thus , this study, mainly focused on them, with a detail analysis of dynamic marker as a whole, found four important characteristics of dynamic field.