期刊文献+

论契诃夫戏剧的叙述性

On the Narrativeness Displayed in Chekhov' s Dramas
下载PDF
导出
摘要 契诃夫在戏剧创作中将既有的、将有的和潜在的矛盾冲突或作淡化处理或安置在幕后,既无中心人物也无中心事件,使起承转合和戏剧冲突这样的戏剧性特色缺失;还有在戏剧的叙述、对话、景象插叙中对带有强烈主观色彩的“语调”的运用,以及突出人物个性的“语势”的运用,都使契诃夫的戏剧呈现了一种叙事作品的特色,在向传统戏剧程式挑战的同时,也为现代戏剧拓展方向。 In his drama works, Chekhov deals with the past, future and potential conflicts either by simplifying them or back -staging them. In so doing, there are neither protagonists nor central events, which results in the absence of such dramatic characteristics as transition and dramatic conflicts. In his dramatic narration, dialogues and scene interspersion, he utilizes keenly subjective 'intonation' and individuality -highlighting 'situations' , which reveals a strongly narrative feature in his drama. Chok-hov' s ways of dramatic creation as mentioned above extends the direction of modern dramas and challenges traditional dramatic patterns as well.
作者 张介明
出处 《上海师范大学学报(哲学社会科学版)》 2003年第6期78-81,共4页 Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词 契诃夫 叙述性 主观色彩 戏剧冲突 语调 语势 艺术特色 Chekhov, drama, narrativeness, dramatic conflicts, intonation, situation
  • 相关文献

参考文献8

  • 1[1]亚理斯多德.诗学[M].罗念生译.北京:人民文学出版社,1990.
  • 2[2]霍罗道夫.戏剧结构[M].上海:华东师大出版社,1981.
  • 3[3]汝龙译.契诃夫剧作[M].合肥:安徽文艺出版社,1999.
  • 4[4]叶尔米洛夫.契诃夫的戏剧创作[M].张守慎译.北京:中国戏剧出版社,1985.
  • 5[5]<海鸥>导演计划@序[M].北京:艺术出版社,1956.
  • 6焦菊隐.《樱桃园》译后记[J].戏剧艺术,1980(3):126-135. 被引量:9
  • 7[8]现代英美资产阶级文艺理论文选[M].北京:作家出版社,1962.
  • 8[9]韦勒克等.文学理论[M].刘象愚等译.北京:三联书店,1984.

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部