摘要
曹禺在早期剧作中,通过周冲形象的塑造,向青春自我作痛苦的诀别;陈白露与方达生的交锋 则是曹禺内心两个自我的交战;而曾文清的苦恼便是曹禺自己婚恋矛盾的直接反映。
In his early dramas, Cao Yu says good-bye to his painful youth by the image-building of Zhou Chong: the conflict between Chen Bai-lu and Fang Da-shen is the reflection of his psyclological conflict; and the frustration of Zheng Wen-qing is real reflection of his marriage course.
出处
《徐州师范大学学报(哲学社会科学版)》
2003年第4期26-29,共4页
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
关键词
曹禺
自我影像
婚恋历程
心理矛盾
Cao Yu
self-image
marriage course
psychological conflict