摘要
冯至前期创作形成了占主导地位的柔和、优美的审美风格。他既拉开主客体之间的审美距离,又自觉追求情理交融,从而使净化的情感具有了幽婉的质素。在表情方式上,他将抒情与叙事、描写相结合,使幽婉情感得到了委婉的传达。在话语情境的创设上,他追求语言的醇美和结构的婉曲,使之服从于话语传达的需要。冯至创作柔美风格的形成是他对中国新文学的重要贡献之一。
Feng Zhi's earlier writing is featured as temperate, melodious, and aestheticdominated style. He does not only pay attention to the distal aesthetics in the objective and subjective forces, but also combines the affective and reasoning, thus enabling the purified emotions to be more acceptable. Furthermore, he adopts lyric, epic, and description as a whole to gift the affective with euphemism. In the contextual discourse, he pursues a linguistic melody and structural circumlocution. Therefore, his euphemistic style has been one of his great contributions to Chinese new literature.
出处
《河北师范大学学报(哲学社会科学版)》
2003年第6期97-103,共7页
Journal of Hebei Normal University(Philosophy and Social Sciences)
关键词
冯至
前期创作
审美风格
Feng Zhi
the early writing
aesthetic style