论中国文学批评的现代多维视角的确立

On the establishment of the modern dimensional literary criticism in China

中国文学批评视角的转换从"五四"到新中国建立,再到新时期,经历了三个阶段,实现了由社会政治视角到人性人情视角,再到审美视角,其后到文化视角的单维向多维的转换。改革开放和社会主义市场经济的建立为批评视角的转换提供了内在动力机制,"全球化"、"多元化"的视域和语境为批评视角转换提供了外部动力机制。文化批评的多维视角构成了批评转型和发展的基础,具有理论建设和实践运作的双重意义。

Chinese literary criticism has undergone three stages, i.e., by May 4th , founding of new China, and ever since. Likewise, the political criticism has given way to the humane and further to the aesthetic, and dimensional cultureorientated criticism. The transformation has been due to the reforming and opening policies, as well as the establishment of the socialist marketing economy. Besides, the globalization and multilateral horizon or context has served as an external force to the literary criticism. All this has been the foundation for the transformation and development of the literary criticism, thus being significant in both the theory and practice.