摘要
喜欢听故事是人类及其孩提的天性 ,长期以来 ,中外儿童文苑始终向往故事情节的传统魅力 ,始终把情节的趣味性视为一条不可更易的美学原则。但是 ,改革开放促使西方现代文艺观念登陆中国之后 ,少年儿童的阅读兴味和作家对于生活的审美标尺相应发生了巨变 ,造成昔日传统文艺观向新文艺观的嬗变 ,造成儿童小说从注重情节向淡化情节的转移 ,造成文学空灵美现象的频频发生。昔日那种形式单一、表现手法陈旧和艺术风格呆板的弊病 ,终于透过作家们的创新突破而得到救治。
For a long time, children literature always yearns for traditional charm of plots, and takes interests of plots as an immutable aesthetic principle. However, after western modern literature ideas come to China, children's reading tastes and writer's aesthetic standard of life take big changes. Therefore, traditional literature ideas tun into new ones, and children novels doesn't emphasize on plots anymore, and natural literature appears. The malpractice of unit forms, obsolete expressing ways and stiff artistic styles is eventually healed by creative breakthrough of writers.