革命立场与女性意识的较量——读《一九三○年春上海》(之二)和《夜》

CONTEST BETWEEN REVOLUTIONARY STAND AND FEMALE CONSCIOUSNESS ——Comprehension of 1930' s Spring, Shanghai and a Night

在丁玲的短篇小说《一九三○年春上海》(之二)和《夜》中,作家的创作意图与作品的客观效果发生了背离:其女性意识比革命立场更为引人注目;小说的艺术重心在女性意识,丁玲思想中深植的女性意识,其创作方法上的矛盾,以及社会革命与女性命运的不一致,是导致这一背离的几个原因。

The objective effects of Ding Ling' s stories 1930' 5 Spring, Shanghai ( No .2) and Night deviate from the writer's intention of creating them: the female consciousness is much more conspicuous than the revolutionary stand;the reasons for it are that the art center of the two stories is the female consciousness deeply planted in Ding Ling' s thought and that the social revolution is not helpful to the complete change of woman' s fortune.