寓意与意图的幻觉:1949-1966年散文及其理论再识

Prose of 1949 to 1966 and Its Theory Reinterpreted

1949-1966年散文,是一个以集体实践的共同主题作为不断整全化的世界观的隐喻被充分呈示的时期;理论论述中,时代、现实、生活、反映是关键词,体现为政治历史的视界;作家文化身份的谋求作为一种强烈的“意图”,被幻想着能够转移到文本中;为规避阅读过程的“修正性想象”,有意简化文本透视角度;均使散文文学本质剥落。

The period from 1949 to 1966 is one in which prose was fully presented as the metaphor for the constantly integrated outlook with the common motif of collective practice. In the theoretic exposition of prose during that period, words like epoch, reality, life and reflection are key ones, which are incarnated as the visual field of politics and history whereas the pursuit of the writer's cultural identity, expressed as a strong 'intention', is futilely comsidered as being able to be transferred into versions of prose. Moreover, to evade the 'corrective imagination'in the process of reading, efforts have been made purposely to simplify the close - up angle of prose versions, which, coupled with the above, have degenerated the nature of prose.