摘要
亚里士多德的文艺“模仿”说与效果“净化 /陶冶”说 ,体现出对接受主体的高度重视 ,这是源于其哲学伦理学的“施授美学”观念 ,表明创作主体控制话语权力的企图。
Imitation and Katharsis in Aristotle's Theory of Poetry stress much on the importance of the receptors.This concept of 'Aesthetic of Conferment which is originated from Aristotle's philosophy and ethics shows the author's attempt to control the discourse hegemony.
出处
《黔南民族师范学院学报》
2003年第4期31-35,共5页
Journal of Qiannan Normal University for Nationalities
关键词
模仿
净化/陶冶
话语霸权
受众
Imitation
Katharsis
Discourse hegemony
Receptors
