摘要
从民族音乐学的角度,将50年间(1953-2002年)国内、外侗族大歌研究的成果进行归纳、描述,对侗族大歌产生的环境、产生的年代以及音乐的总体形态特征和分类等进行探讨,具有重要的价值和意义。
From the aspect of folk musicology, it is of great value and significance to sum up and de-scribe the studies and scientific research results of the polyphonic Dong Chorus during the past 50 years, and to discuss the environment and the time in which the Dong Chorus came into being, and the overall form and classification of the music.
出处
《贵州大学学报（艺术版）》
2003年第2期33-37,共5页
Journal of Guizhou University Art Edition
关键词
侗族大歌
民族音乐学
产生
形态
分类
the polyphonic Dong Chorus
folk musicology
come - into - being
form
classification
