摘要
地理特征的不同就造就了剪纸艺术表现风格的不同。系统分析了民间剪纸艺术审美理想的基础,论证了民用剪纸艺术是一个从无形观念到有形的创作过程,是一种基本文化心理的再现。它作为一种艺术符号存在,具有民族的物承性,是一代人审美识别的界石。
Different Geographical features will contribute to different styles of folk paper cutting. Systematic analysis is made on what the aethetics of folk paper cutting is based. It is argued that paper cutting originates A creative process is argued for from an in tangible concept to a tangible object, leading to the display of a cultural stereotype. As an art symbol, folk paper cutting will display something tangible of a particular culture that is used as an aethetic standard from one generation to another.
出处
《株洲工学院学报》
2003年第6期75-78,共4页
Journal of Zhuzhou Institute of Technology
关键词
民间剪纸艺术
审美价值
艺术风格
中国
folk paper cutting
expression of aethetic ideas cultural stereotype
physical heritage