摘要
福楼拜格外重视文学作品的形式美和文体美,他引领的文学现代性转向与19世纪法国现代绘画艺术自主性的确立齐头并进,其小说叙述的客观性、展示性、描述性和艺术性体现了他对摄影美学的参照以及与印象主义绘画美学的共鸣。本文针对福楼拜文学创作的艺术灵感来源及其小说建构与艺术美学之间的交融进行系统的溯源、解析和阐释,从而全面揭示其作品中的"近视性"写作风格、"现代性"审美意识和"视觉性"文体特色。
Flaubert attaches great importance to the formal and stylistic beauty of literary works. The turn of literary modernity led by Flaubert kept pace with the establishment of modern paintings’ autonomy in the19 th century France. His fictional narrative consists of objectivity,exhibitionism,descriptiveness and artistry,reflecting his reference to the aesthetics of photography and his resonance with the aesthetics of impressionist paintings. This paper will trace and discuss systematically the sources of his artistic inspiration,as well as the fusion of his fictional construction and art aesthetics,so as to reveal comprehensively the myopic writing style,modern aesthetic ideas and visual stylistic features in his literary works.
出处
《国外文学》
CSSCI
北大核心
2019年第1期35-43,157,共10页
Foreign Literatures
基金
国家社科基金项目"法国小说建构与绘画美学交汇史"(项目编号:11CWW019)的阶段性成果
