空间诗学视角下海明威小说《白象似的群山》研究

A Study of Hemingway's Hills Like White Elephants from the Perspective of Spacial poetics

海明威,作为20世纪著名的作家之一,将他丰富的经历付诸于细致、简短的笔触上。他的身上被烙印"迷惘的一代"的标签。《永别了,武器》,《丧钟为谁而鸣》将其推上了文学的至高点,然而,其短篇小说更是能够在有限的篇幅中表现其作为一名伟大作家的天赋。《白象似的群山》以短短五页的篇幅将海明威在第二次蜜月中于西班牙小站等车的见闻呈现于书面,并且他在其中提出了值得我们深思的问题:生存空间给予人类的无限恐惧。本文试对海明威小说《白象似的群山》(以下简称《白象》)进行空间诗学解读,揭示作者于文本背后寄托的对人类无限空间的探究与思索。

Hemingway, as one of the well-noted American writers, writes his ample experiences meticulously and succinctly. He is marked with the tag "Lost Generation". A Farewell to Arms, For Whom the Bell Tolls, push him to the paramount position. However, his genius is better presented in his short novels. Hills Like White Elephants, which consists of only 5 pages, records at Spain station what Hemingway saw when he waited for train during his second honeymoon. It is in this short novel that he raised one noteworthy question: living space leads to people 's infinite terror.This thesis will analyze Hemingway's Hills Like White Elephants in the perspective of spacial poetics to reveal Hemingway's exploration and reflection on the infinite space people are living in.