摘要
20世纪80年代以来,中国当代几大舞蹈赛事的发展,为观众呈现了近千部群舞作品,显现了中国舞蹈的'高原'水平和繁荣气象。近千部作品在创作方面主要体现出如下特点:运用密集手段,出其不意瞬间改变主要人物形象;借鉴戏剧冲突模式,营造感人情节、触动观众灵魂;借助画外音,强化作品思想并渲染情感;采取倒叙、对比、呐喊、反串等手法营造意象。本文认为,其中17部代表作品可谓是群舞作品中在创意方面居于'塔尖'地位的佳作,对它们的分析研究,对于中国群舞作品攀登高峰具有借鉴意义。
Since the 1980 s,dance competitions in China have grown positively in almost every way,delivering to the audience about a thousand group dance works and pushing Chinese dance up to a high level of prosperity.The group dance works have the following features:intensive use of means to change character image unexpectedly;borrowing conflicts from drama to create moving plots to stir the soul of the audience;use of voiceover to enhance the emotional and intellectual appeal of the works;and use of flashbacks,contrasts,cross casting and other techniques.This paper argues that the 17 works are representative works of group dance in terms of creativity,so their analysis and research will show how Chinese group dance can reach its peak.
出处
《当代舞蹈艺术研究》
2019年第2期73-76,共4页
Contemporary Dance Research
关键词
中国舞蹈赛事
群舞作品
创意
高峰
Chinese dance competitions
group dance works
originality
peak