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城市发展中的亚文化场景建构——一项关于北京后海酒吧街的民谣音乐文化的研究

The Construction of Subcultural Scene in the Development of Urban in China——Research on the Development of Folk Music Culture Based on Houhai Bar Street in Beijing
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摘要 后工业时代中的文化矛盾和文化焦虑进一步凸显,主流意识形态的解释和回应能力呈弱化趋势,形形色色的亚文化现象异军突起。亚文化作为社会某些特定人群的精神抚慰方式,在特定的时间和空间往往体现出比主流文化更大的亲和力和吸引力,成了促进城市发展的新动力机制。本文分析了当前中国亚文化发展现状,并采用参与式观察和深访的研究方法对北京后海酒吧街的民谣亚文化发展进行了个案研究,最终基于文化场景理论为该空间未来的发展提出合理路径。该研究旨在以一个典型范例为亚文化探寻一种科学长效的发展机制,使中国亚文化创造新的经济增长极。 In the post-industrial era,cultural contradictions and cultural anxiety have become more prominent.The interpretation and response abilities of mainstream ideology have weakened,and the subcultures of various forms have sprung up.As a spiritual comforting method for certain specific groups of society,subculture often reflects greater affinity and attraction than mainstream culture in a specific time and space.Therefore,in such a social transformation,subcultures have become a new impetus mechanism for urban development.This paper analyzes the current development status of the subcultures in China,and adopting the research methods of participatory observation and deep interview,selects the typical folk culture development of Houhai Bar Street in Beijing as a research case,and proposes a reasonable path for the future development of the space based on the theory of scene.It will explore a long-term development mechanism for subcultures with a typical example to promote subculture development and create a new economic growth pole.
作者 郭嘉 卢佳华 Guo Jia;Lu Jiahua
机构地区 首都师范大学
出处 《中国文化产业评论》 2019年第1期374-386,共13页 Commentary on Cultural Industry in China
关键词 场景理论 亚文化 空间建构 theory of scene subculture construction of space
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