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传统文人画“逸品”理论的文化成因探析

The Theory of Traditional Literati Painting Criticism
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摘要 传统文人画有一套独特的品评理论体系,本文对文人画'逸品'理论的成因展开了不同角度的文化分析,如儒道释哲学思想对文人画家的思维方式、审美情趣及文人画的艺术构思等方面都有较深的影响;文人画家群体的构成和集体意识的特殊性也是影响其品评理论的重要因素。对文人画'逸品'理论成因的分析,有利于立足于时代的语境下重新审视传统文人画的美学精神。 Literati painting began in Tang Dynasty, developed in Song Dynasty, and was prevailing in Ming Dynasty. This paper summarizes the theory of literati painting criticism,and analyzes the reason of the different angles.Philosophical thought has a deep influence on the way of thinking, aesthetic taste and artistic conception of literati painting. The special structure and the collective consciousness of the literati painters of the group is also an important factor affecting the evaluation theory. Literati painters are not to draw for the industry and to paint for more than and literati painters mostly came from the noble dignitaries, determine the status of the they.master the right to speak, have tremendous power to influence the direction of painting development, can add fuel to the fire for the practice of painting practice, their mutual responsory of literati painting theory is bound to the formation of a strong collective consciousness.
作者 杨莉萍 Yang Liping
出处 《文化产业研究》 2019年第1期284-295,共12页 Cultural Industry Research
基金 江苏省社会科学基金项目“宋代文人画品评的研究”(15YSC002)的阶段性研究成果 江苏师范大学博士学位教师科研支持项目“规导与互动——传统文人画品评与创作关系的研究”(16XWR032)的阶段性研究成果
关键词 传统文人画 品评 文化成因 Traditional Literati Painting Judge Cultural Factor
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