《文心雕龙》的“指事”与文体叙事传统

The Relationship between Wen Xin Diao Long's Chih Shih and Narrative Genre Tradition

《文心雕龙》的"指事"具有了"直指事上,的中物体"和"指称事义,直言不隐"两层含义。文论和"六书"体系中对"指事"的使用并行不悖,刘勰将其纳入文学批评话语,吸收了佛教译经的含义,凸显实录无隐、不曲笔不粉饰的叙事旨归。"指事"是诸多文体叙述的策略方法,指陈事实及直言不隐是重要内容,并且与佛教经典及诵唱文体相关联。文学叙事的要求不断细分"指事"的文体类目,"指事"的日益丰富又扩大了文体叙事的范围,二者的张力与互动,造成了文体的生成与独立和一贯的实录、直切的文体叙事批评话语。

Chih Shihin Wen Xin Diao Long had two meanings of'pointing to matter in the objects'and'accused of righteousness,the truth is not implicited'.The use of Chih Shihin literary theory and‘Chinese characters' system were two parallel development.Liu-xie,made it include in the literary criticism discourse,and absorbed Buddhism translation's meanings,furthermore,he took a highlight record without hiding,tended towards not a distortion of the facts,not narrative purport to whitewash.Chih Shih was a narration strategy,the ture facts and not implication were the important details,and associated with buddhist classics and song style.On one hand,literary narrative tradition requested unceasingly subdivision ChihShih's genre category,on the other hand,the increasingly Chih Shihalso expanded the scope of stylistic narrative.The tension and interaction caused the formation of genre,independence,consistent records,and straight genre of narrative discourse criticism.