摘要
英美学者将中国左翼电影文本视为一个意识形态话语协商与争论的场所,广泛涉及到性别政治、集体主义、性与革命、精神污染、城乡对立等诸多话题;就左翼电影的叙事机制而言,他们主要关注现实主义、情节剧与本土化重写;此外,他们还从电影身份与跨地性传播、流行文化、观众接受、批评话语等维度对左翼电影加以讨论。而在笔者看来,左翼电影与20世纪20年代中国电影的内在联系,左翼电影与中国现代通俗文化(小说、戏剧、电影漫画)以及流行艺术(音乐、歌舞表演、摄影)的关联性研究,苏俄电影对左翼电影的影响,左翼电影的表演等课题,尚待国内外学者去进行细致开掘。
The British and American scholars regard Chinese left-wing ideological movie text as a venue of discourse consultation and argument which covers widely the gender politics,collectivism,sex and revolution,spiritual pollution,urban and rural opposition,and many other topics.As for the leftwing narrative mechanism,their concern was mainly on realism,melodrama and localized rewriting.In addition,their discussions were made from the dimensions of movie identity,cross-regional transmission,pop culture,audience acceptance as well as critical discourse.In my opinion,there are still a lot of potential topics for the scholars all over the world to research on the inter-relation between the left-wing film and 1920 sChinese movies,Chinese modern popular culture(novels,plays,movies,comics),pop art(music,dance performances,photography),the influence of the Soviet Union,and the movie performances.
出处
《武汉理工大学学报（社会科学版）》
2017年第2期143-151,共9页
Journal of Wuhan University of Technology:Social Sciences Edition
基金
2012年国家社科基金青年项目"批评理论视域中的中国左翼电影文学研究"(12CZW083)
2009年湖南省教育厅一般项目"中国红色经典电影与外来红色经典电影比较研究"(1949-1976)(09C487)
关键词
英美地区
中国左翼电影
意识形态话语协商
叙事机制
关联性话题
British and American regions
Chinese left-wing film
ideological discourse consultation
narrative mechanism
topic relevance
